Gidle Musicalia
Altberg Ensemble

Artistic Direction of the Altberg Ensemble
Jakub Kościukiewicz and Ewa Mrowca

Zbigniew Pilch – violin / direction
Ewa Mrowca – program concept and development
dr Maciej Jochymczyk – musicological cooperation and preparation of musical scores, reconstruction

Singers

Dagmara Barna-Kosowicz – soprano
Andrzej Zawisza – bass

Altberg Ensemble on period instruments:

violin I

Zbigniew Pilch
Michał Marcinkowski
Joanna Dobrowolska
Aleksandra Kelm

violin II

Joanna Gręziak
Małgorzata Góraj
Kacper Szpot

violas

Katarzyna Rymuza
Anna Wieczorek

cellos

Jakub Kościukiewicz
Anna Cierpisz

double bass

Tomasz Iwanek

harpsichord

Ewa Mrowca

oboes

Jan Hutek
Patrycja Leśnik-Hutek

basson

Kamila Marcinkowska

trumpets

Ostap Popovych
Paweł Hulisz

harpsichord tuning and care

Zuzanna Budziarek

Program:

Gidle Musicals from the collection of the Gidle Chapel, currently stored at the Dominican Archives in Krakow.

A. Stradella – sinfonia from the cantata „Il Barcheggio”;
Tromba, Violino I, Violino II, Bassi

A. Sacchini – aria „Justum deduxit Dominus” [214], contrafactum of the aria „No che non voglio offendere” from the opera „Lucio Vero”;
Canto solo, Violino I, Violino II, Viola, Bassi

Ketter? Anonim? – [Praeludium] [188];
Clavicembalo

Anonim [J.A. Hasse?] – aria „Huc gentes convolate” [218];
Canto Solo, Violino I, Violino II, Bassi

Anonim – aria „In te domine speravi non confudar in aeternum” [221];
Basso Solo, Violino I, Violino II, Viola, Bassi

Anonim? [J.A. Hasse?] – aria „Nomen amabile et ineffabile Mariae Virginis” [222],
counterfactual of the first part of the aria „Non vi dolga o piaggie amene” from the opera „Asteria”; D. Albert,
Canto Solo, Violino I, Violino II, Bassi

Hermann [L. Hofmann?] – Sinfonia ex C [276];
Oboe I, Oboe II, Clarino I in C, Clarino II in C, Violino I, Violino II, Viola, Bassi

Halix [H. Johann?] Wojciech Dankowski? – „Salve Regina” in E-flat [178];
Basso solo, Violino I, Violino II, Bassi

V. Rauzzini „Salve Regina” in B [181], contrafacto of the aria „Infelice in tanto orrore” from the opera „Piramo e Tisbe”;
Canto Solo, Oboe I, Oboe II, Violino I, Violino II, Viola, Bassi

Anonim [143.1] – Offertorium „O sacramentum pietatis, o signum unitatis”
Canto Solo, Basso Solo, Oboe solo, Clarino I in D, Clarino II in D, Violino I, Violino II, Bassi

Litanie ex D [196] (attribution attributed to Justo Caspar?)
Canto Solo, Basso Solo, Clarino I, Clarino II, Violino I, Violino II, Bassi

 

https://www.filharmonia.lodz.pl/repertuar-filharmonii-lodzkiej/kolory-polski-w-gidlach-altberg-ensemble